Most of us know that if you wander west long enough and far enough and find yourself stranded in the desert, you may receive a visit or call in dream or vision from a benevolent Native American. Mine was a phone call, and the facetious old man on the other end identified himself as an old Indian, Adam Fortunate Eagle. He was calling to inquire about our organization's annual artist-in-residence program and to insist that the application requirements for digital representations of the artist's work were an unreasonable expectation for an 87-year-old fogey like himself. I agreed, but my boss, I told him, was not there, and I offered some unhelpful advice and then listened as he boasted a bit and recommended I look him up on the web and also buy his latest book, Scalping Columbus and Other Damn Indian Stories, from Amazon.

(The Fort Laramie Treaty of 1868 is an interesting read btw, warming the heart right from the opening lines: "If bad men among the whites, or among other people subject to the authority of the United States, shall commit any wrong upon the person or property of the Indians, the United States will, upon proof made to the agent, and forwarded to the Commissioner of Indian Affairs at Washington city, proceed at once to cause the offender to be arrested and punished according to the laws of the United States, and also reimburse the injured person for the loss sustained.")
I had visited Alcatraz the month before and had wandered through the large empty exhibit rooms about the occupation, and with this new found context was all the more eager to chat the next time Adam called.
"Is your boss there yet?" he asked.
"No, sorry, he's still out of town." I answered.
"Well whose ass I gotta kiss to talk to this guy?" He laughed and added helpfully that he one to use satire to drive home his points.
Uninterested in the purpose of his call, I eagerly mentioned I'd just visited Alchatraz myself and read about his involvement. Flattered and expansive, he went on to describe how he had then been blacklisted and watched by the government for decades after for standing up for Native American rights. He seemed to like my mention of Nelson Mandela and how for decades Mandela himself had been considered an enemy terrorist by an apartheid-friendly US Government, until politically expedite to shift alliances. I chatted with him as long as possible, and he gave me his phone number and said I should stop on by sometime.
That was fine by me. On the way back to Utah I pulled into his place and met his wife, and he showed me his numerous art pieces and workshop and a little museum on the property he had made about his life and art. He pointed out a picture of himself dressed in an elaborate Indian costume meeting the pope, assuring me he had not kissed his hand. By the entrance was a little gift shop with copies of his books and DVDs in which he had been featured. He explained the merits of each item, and I asked him what he thought I should purchase. "How much money ya got?" he asked, as if at 20 bucks each every item was a bargain. I mumbled something about not having much and settled for his most recent book, which he signed To Ryan, The rock Hound, Fortunate Eagle. (I have no idea at what point I gave him the impression I was a rock hound.) He showed me around his wonderful house as well, which was full of paintings and gifts from fellow artists and books as well as pictures of his children and grandchildren. I resisted asking him what he thought about Sherman Alexi.

One of my favorite anecdotes of his, told several times, was a publicity stunt for Columbus Day that had received national attention. He had flown over to Italy and conducted a ceremony there to claim Italy for the Native American First Nation.
Back inside at his table he began to talk about the artist-in-residence program again, and I felt a little bad I'd not gotten around to saying I no longer worked there. Still, I'd put in a good word for him with my indifferent former boss, and I'd brought Mr. Eagle a pricey bag of pistachios and some coffee. He is, in my judgement, a wonderful artist and would make a superb artist-in-resident, if the dainty little program can handle him. I was also pleased when he perked up at the the sight of the pistachios.
Adam Fortunate Eagle was a wonderful collection of sound bytes and benevolent admonitions and also always quick to mention any facts related the systematic extermination and expulsion of the Native American population. Everything he said sounded as if he'd said it a thousand times before, and I was a bit disappointed with his answers when I filmed him for a few minutes to ask, after a life of dissent, what he would say in way of advice to young similarly-minded individuals. (Read history, was his reply.) I prodded him a bit more, until I suddenly saw myself as another white tourist badgering an old Native American for my own pithy, inspirational soundbite. I left with a smile and wave. All said, it was an interesting afternoon spent with a charming and somewhat ostentatious elderly Indian living on a reservation in the shadow of his former larger-than-life self.
I loved this post. You write beautifully.
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